Explain the impact of digitally convergent media
platforms on film production, distribution and circulation, including
individual producers. Refer to The Jungle Book 1967 and 2016 in your answer (15
marks)
The 1967 Jungle Book used traditional animation methods. The studio used
copies of hand-drawn pictures on transparent cells as well as
a multiplane camera to create a more 3d effect then was previously
possible. The characters were drawn depending on the actors’ voice, so
the animations would reflect the personality of the actors’ voice, which was
unusual at the time as the voice would typically be recorded after the
characters were drawn. The 2016 Jungle Book had a budget of $175 million which
puts it in the category for big Hollywood blockbuster films. The film was
created mainly of the use of CGI, and although was primarily based in India,
the entire production was shot in Los Angeles. The film used referenced photos
taken by a team in India to create a realistic representation of location
within the film. This ensured that the darker and more realistic
representations of the animals suited the style of the animation, which attracted an older
audience and meant that the film was given a PG rating compared to the 1967
film which was given a U rating by the BBFC.
Walt Disney had a large directional input on the production of the 1967
The Jungle Book, and ensured that the quality was extremely high due to the
lack of reception the last film received, which was ‘The Sword in the Stone’.
The trailer and film as a whole was targeted to family audiences and included
happy & uplifting music to hit this audience, which differs to the older
audience the 2016 film targeted. It was initially released in mid-October 1967,
but made much of its box office by being re-released in 1984 and again in 1990.
This helped the film preserve a sense of exclusivity, and kept the film fresh
in audiences’ minds. However, trailer content and marketing campaign for
The Jungle Book 2016, was digitally convergent with the themes of the film as
it included darker images and scary scenes within the film, which contrasts
with the family audience that the 1967 film targeted. Walt Disney productions
aimed to do this in order to gain an older audience who was likely to be
engaged to watch the film, as well as influence younger siblings to watch.
Additionally, the first release of the film was previewed to an exclusive
collection of 3500 Disney Fans at a convention, where the three main cast
members were brought out on stage. This encouraged the fans to engage with the
marketing campaign, and spread positive word of mouth about the film on social
media platforms.
The Jungle Book 2016 had an extremely high budget made
possible by Disney as it has the economic power to fund such a large production.
This means that they can easily spread their media across all platforms to
reach a wider audience and create synergy between their media and digitally
convergent media platforms. In contrast, the 1967 release had a much lower
production budget due to Disney’s smaller scale at the time. Furthermore, there
was a much smaller competition in the animated film industry, meaning that huge
budgets were not necessary. It was initially only released in cinemas, as home
TVs and VHS technology had not reached mass audience, which led to a limited
digital convergence, relying on physical advertisements and word of mouth to
spread. The 2016 release had one of the biggest visual effects budget of all
time, using the latest CGI and special effects technology to achieve a high
production value. In turn this brings in a wider audience and therefore earning
more money for Disney. Although the 1967 film featured no CGI, the animation
techniques were still expensive and advanced for the time, as it required a
large amount of resources and careful preparation. It was distributed and
circulated across 70 countries in IMAX 3D, cinema, DVD and Blu-ray which gives
it an extremely broad audience and very high exposure. The 1967 version
initially released in cinemas as this was the only platform which could attract
a large audience at the time, however it was followed by VHS, DVD and Blu-Ray
releases as technology allowed the development of the film. This led to a
timeless film due to the constantly updated releases.
Jungle Book 1967 was produced by Walt Disney himself, taken
as an interpretation of Rudyard Kipling’s story ‘The Jungle Book’. The
producers on this drawn animation film where are family run business, in
contrast Disney’s 2016 Jungle Book is produced by a large cooperation and is
not directed by Disney but by Jon Favreau under his Fairview entertainment
company. The 2016 producers of the Jungle Book used nostalgia from the previous
edition of the film, such as Oscar nominated songs ‘the Bare Necessities’ and
‘I wanna be like you’ to create a wider audience and appeal to the older
generation as well, not just the stereotypical generation for an animated
feature film.
The Jungle Book 1967 was first only available in cinema
before being distributed through VHS, DVD and eventually Blue-ray. In contrast,
the Jungle Book 2016 was released with the intention to be distributed across a
large range of digitally convergent platforms. This included, IMAX 3D, as well
Amazon and Now TV, in addition, they used multiple social media platforms, such
as Instagram, Snapchat, Facebook and YouTube to spread teaser trailers and get
the audience involved. Emphasising back in 1967 they did not have the equipment
and resources to distribute in this way, relying on word of mouth and newspaper
reviews. 1967 released their film in cinemas in October which is now considered
a bad time to release a film in the film industry. The best times are seasonal
times mainly Summer and Winter. The 2016 version released in late April
therefore approaching the summer season, as proceeding the 1967 version they
now had the knowledge of peak distributing times. The 2016 turnout was packed
cinemas in around 4000 cinemas across America.
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